Emilia Azcárate, Artur Barrio, Jacques Bedel, Coco Bedoya, Luis F. Benedit, Paulo Bruscky, Jorge Caraballo, Sigfredo Chacón, Emilio Chapela, Guillermo Deisler, Mirtha Dermisache, Anna Bella Geiger , León Ferrari, Jaime Higa, Eduardo Kac, Leandro Katz, Guillermo Kuitca, David Lamelas, Marie Orensanz , Clemente Padín, Claudio Perna, Federico Peralta Ramos, Dalila Puzzovio, Juan Pablo Renzi, Osvaldo Romberg, Juan Carlos Romero, Eduardo Santiere, Mira Schendel, Pablo Suarez, Horacio Zabala, Carlos Zerpa
3 - 5 de octubre, 2014
Centro Cultural Estación Mapocho
Santiago, Chile
“Drawing Time, Reading Time”
THE DRAWING CENTER 35 Wooster Street November 15–January 12
“Drawing Time, Reading Time” alternates between the temporal condition of text, which is read in sequence, and that of the image, which is apprehended more or less all at once. Included in this exhibition—which is felicitously paired with “Pencil Sketches,” a parallel and archly titled show of manuscripts by Emily Dickinson and Robert Walser—are works by Carl Andre, Pavel Bu?chler, Guy de Cointet, Mirtha Dermisache, Sean Landers, Allen Ruppersberg, Nina Papaconstantinou, Deb Sokolow, and Molly Springfield.
As you read this, you’re probably not paying much attention to what the letters look like. More likely, you’re focusing on the words and sentences that the letters spell, and what they are saying. Some artists, however, have made it their business to direct attention to what letters, words, sentences, texts and books look like more or less apart from what they mean. Nine of these are in “Drawing Time, Reading Time,” a thought-provoking show at the Drawing Center.
El clima político de los años 70
Con obras, registros y documentos, una muestra revisa la historia del CAyC desde 1969, cuando lo creó el controvertido Jorge Glusberg, hasta 1977.
Mirtha Dermisache sigue oponiendo la gráfica como impulso a la plástica como institución. Repasando una trayectoria de más de 30 años, Escrituras múltiples, su nueva muestra, vuelve a desplegar el prodigioso repertorio de trazos, muescas e inscripciones que alguna vez fascinaran a Roland Barthes.